![]() ![]() That was something I picked up from Jeff Bhasker when we were working on “Uptown Funk.” You throw it on a vocal or a bass track, and it makes everything a little tougher and also makes the mix just a little more centered.” “The one plugin I use the most is probably the Waves CLA-3A compressor. When speaking in an interview, Ronson said: The Mark Ronson ‘Tough Compression’ sound Try shooting for great raw performances in your own productions rather than relying on fixing things in post-production. With this approach, there’s less scope for quantization and more ‘feel’ is injected into the music. Secondly, it helps move the project forward as he has to commit to the sounds. Firstly, it gives the performer much more ‘intention’ and forces them to be more exact with their delivery. Some may see this as a limitation, but Ronson feels this helps in two ways. ![]() This gives a limited amount of post-production control so the recording has to be as perfect as possible. For example, he’s been known to use just one mic when recording drums (he did this when working with Amy Winehouse and Dap-Kings). When he’s recording audio, he’s trying to capture the best possible take and focusing on mic placement for tone. So what helped this production connect with so many people? Can we define elements of the artistic brilliance and inject them into our own work? Let’s decode this mix! It also has over 3.4 billion views on YouTube as of December 2018, making it the fourth most viewed YouTube video of all time. Uptown Funk won two Grammy Awards, including Record of the Year, and the Brit Award for British Single of the Year. Not many songs can boast 14 consecutive weeks at number one in the US, as well as being certified diamond (selling at least 10 million copies). ![]()
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